ROSE VALLEY, PA — The acclaimed Hedgerow Theatre Company is poised to captivate audiences with the U.S. premiere of Stef Smith’s Nora: A Doll’s House, a bold reimagining of Henrik Ibsen’s classic drama. Running from March 12 through April 6, this compelling production will debut at Hedgerow’s historic venue at 64 Rose Valley Road, Media, PA, offering an intimate 100-seat setting steeped in atmosphere.
A Play That Spans Time and Resonates Across Generations
Adapted by Olivier Award-winning Scottish playwright Stef Smith, Nora: A Doll’s House revitalizes Ibsen’s iconic exploration of marital inequality by transporting its narrative into three distinct time periods—1920, 1973, and 2018. Each era illuminates the evolving nature of women’s roles and struggles, connecting their experiences across generations. At the story’s core is Nora, a seemingly perfect wife and mother whose carefully curated life begins to unravel when a well-kept secret from her past comes to light. Over three intense days, Nora faces a stark reckoning with her identity, her relationships, and societal constraints, weaving a complex, poignant tale of self-discovery.
Praised as “a perfect adaptation” by The Guardian when it debuted in Glasgow in 2019, Smith’s reimagining of Ibsen’s masterpiece was a finalist for the 2020 Susan Smith Blackburn Prize, spotlighting its international acclaim. By interweaving overlapping narratives, Smith examines themes of independence, power, and identity, offering a fresh perspective on Ibsen’s groundbreaking feminist drama.
A Stellar Cast and Creative Vision
Under the visionary direction of Emma Gibson, Hedgerow Theatre’s production features an accomplished cast led by Barrymore Award-winning actor Amanda Schoonover, with Kaitlyn Cheng and Mallory Avnet sharing the roles of Nora and Christine across different eras. The ensemble is rounded out by Ahren Potratz as Thomas, Nora’s husband; Angel Sigala as Daniel, a family friend; and returning Hedgerow actor Michael Stahler as Nathan, whose actions set the plot into motion.
Gibson, a Philadelphia-based playwright and director with an illustrious acting career in the UK, brings her expertise to bear on this production. Known for her inventive approach to classic texts, Gibson aims to highlight the play’s deeply human elements while underscoring its relevance in a modern context.
“The opportunity to direct Stef Smith’s re-telling of Ibsen’s play feels invigorating and timely,” Gibson reflected. “Beyond its feminist resonance, this is a story about transformation, female friendship, and the courage to create change in our lives. It speaks to the heart of what it means to be human.”
The production’s all-women creative team further underscores its focus on collaboration and innovation. Scenic design is led by Shannon Zura, with lighting by Hedgerow Resident Designer Lily Fossner, costumes by Erin Prokopchak, and intimacy direction by Abby Weisman. Gibson also contributes as the sound designer, ensuring a cohesive artistic vision throughout.
Event Details
Nora: A Doll’s House opens with preview performances on March 12 and March 13 at 7:30 p.m., officially premiering on Friday, March 14, at 7:30 p.m. The opening night includes a special post-show reception with the artists. Performances will continue through Sunday, April 6, with tickets available for purchase now online.
The play is recommended for viewers aged 15 and older due to its mature themes, and its runtime is approximately 90 minutes with no intermission.
A Theatre Experience Not to Miss
With its innovative structure, profound themes, and exceptional production team, Nora: A Doll’s House is poised to be a highlight of Hedgerow Theatre Company’s 2025 season. Combining the timeless relevance of Ibsen’s original with Stef Smith’s bold vision, the production promises to engage audiences in a deeply personal and global dialogue about identity, choice, and transformation.
Tickets for this groundbreaking adaptation are expected to sell quickly. Don’t miss the chance to be part of a theatrical event that bridges the past and present while looking toward the future of classic storytelling.
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