Experience Renewal and Transformation at Wharton Esherick Museum’s Must-See Exhibitions – Opens This Spring!

Hannah Weil Worktable, Wharton Esherick with York Fischer, 1931, Pearwood and oak, on view in the installation Art, Work, and Everyday Life. Private Collection.Image courtesy of WEM.

MALVERN, PA — The Wharton Esherick Museum (WEM) is set to unveil two compelling exhibitions this spring, offering fresh perspectives on the life and work of the renowned craftsman and artist. Voyage of Renewal: Wharton Esherick in Germany and Scandinavia and Art, Work, and Everyday Life: A New Look at the Esherick Studio will open simultaneously on March 1, 2025, exploring themes of personal and artistic renewal while reimagining Esherick’s iconic Studio.

The centerpiece of Voyage of Renewal is Wharton Esherick’s pivotal 1931 European trip. Funded by patron Helene Fischer, this voyage spanned Germany, Denmark, Norway, and Sweden and served as a creative recharge for the artist during an emotionally tumultuous time. The exhibition, housed in the museum’s Visitor Center, features rare artifacts like one of Esherick’s seven European sketchbooks, postcards, woodblock prints, and textiles inspired by his travels. These objects reflect the influences of Scandinavian craftsmanship and the natural beauty of the Bavarian countryside on Esherick’s evolving style.

“This was a time when Esherick, in his own words, felt ‘flat as a desert,’ emotionally and artistically,” said Holly Gore, WEM Director of Interpretation and Associate Curator. “The trip sparked a sense of renewal that reshaped his creative trajectory.”

One highlight of the exhibit is a unique pearwood worktable that Esherick crafted during his stay in Bavaria, created in collaboration with German sculptor Hannah Weil. On loan from a private collection, the table is making its first public appearance in decades.

Running parallel to Voyage of Renewal, Art, Work, and Everyday Life transforms Esherick’s historic hand-built Studio into an evolving reflection of his daily routine and artistic practice. With over 70 works currently traveling as part of another exhibition, this moment has allowed WEM to reconfigure the space, integrating rarely seen archives and objects. Items such as Esherick’s handmade ceramic dishes, a carved chest, and his personal painting easel now share the spotlight alongside the recently installed Weil worktable. The display also incorporates modest yet evocative details, such as clothing laid near the bed and place settings on the kitchen table, offering an intimate glimpse of Esherick’s constantly shifting world.

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Both exhibitions align with WEM’s 2025 programming theme of renewal—whether exploring Esherick’s personal reinvention during his European travels or reinterpreting his home studio with fresh eyes. Visitors are invited to explore the lasting legacy of Esherick’s artistry and reflect on how themes of transformation resonate across time.

These exhibitions will run through June 1, 2025, at the museum’s Malvern campus. Later in the year, the museum’s Annual Juried Woodworking Exhibition will continue the theme of renewal, showcasing the work of modern creators inspired by Esherick’s spirit of innovation.

Together, Voyage of Renewal and Art, Work, and Everyday Life promise visitors a rich, multidimensional experience that highlights the enduring relevance of Wharton Esherick’s work while celebrating the power of rejuvenation.

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